
William Stainton Moses (Nov. 5, 1839 – September 5, 1892) was an English cleric and spiritualist medium. He promoted spirit photography and automatic writing, and co-founded what became the College of Psychic Studies.

Victoria Woodhull (September 23, 1838 – June 9, 1927), a medium and carnival show clairvoyant, was the first woman-owned Wall Street brokerage house, the first woman to address a Congressional committee and the first woman to run for president. She championed free love, believed that marriage was institutionalized slavery and supported paid sex work.

Allen Kardec, the 19th Century founder of “Spiritism” and a man who changed the course of Latin American religious movements, was born on October 3, 1804.


Hereward Carrington (17 October 1880 – 26 December 1958) was a well-known British-born American investigator of psychic phenomena and author. His subjects included several of the most high-profile cases of apparent psychic ability of his times, and he wrote over 100 books on subjects including the paranormal and psychical research, conjuring and stage magic, and alternative medicine.

Mysterious rapping, eerie music, otherworldly voices — witnesses ascribed these strange phenomena and others to the historic séances of Margery “Mina” Crandon, one of America’s most celebrated spiritualist mediums. Read more here.

William Stainton Moses (Nov. 5, 1839 – 5 September 1892) was an English cleric and spiritualist medium. He promoted spirit photography and automatic writing, and co-founded what became the College of Psychic Studies.

Rosemary Isabel Brown (nee Dickeson, 27 July 1916 – 16 November 2001) was an English composer, pianist and spirit medium who claimed that dead composers dictated new musical works to her. She created a small media sensation in the 1970s by presenting works purportedly dictated to her by Claude Debussy, Edvard Grieg, Franz Liszt, Franz Schubert, Frédéric Chopin, Igor Stravinsky, Johann Sebastian Bach, Johannes Brahms, Ludwig van Beethoven, Robert Schumann and Sergei Rachmaninoff.
Brown claimed that each composer had his own way of dictating to her: Liszt controlled her hands for a few bars at a time, and then she wrote down the notes; Chopin told her the notes and pushed her hands on to the right keys; Schubert tried to sing his compositions; and Beethoven and Bach simply dictated the notes. She claimed the composers spoke to her in English.