Daniel Dunglas Home (pronounced Hume; 20 March 1833 – 21 June 1886) was a Scottish physical medium with the reported ability to levitate to a variety of heights, speak with the dead, and to produce rapping and knocks in houses at will. His biographer Peter Lamont opines that he was one of the most famous men of his era. Home conducted hundreds of séances, which were attended by many eminent Victorians.
Emanuel Swedenborg, born February 8, 1688 and died March 29, 1772, was a Swedish Christian theologian, scientist, philosopher and mystic. He became best known for his book on the afterlife, Heaven and Hell (1758). Swedenborg had a prolific career as an inventor and scientist. In 1741, at 53, he entered into a spiritual phase in which he began to experience dreams and visions, culminating in a “spiritual awakening” in which he received a revelation that opened his spiritual eyes so he could freely visit heaven and hell to converse with angels, demons and other spirits. Some describe Swedenborg as a progenitor of modern Spiritualism.
Cora Lodencia Veronica Scott (April 21, 1840 – January 3, 1923) was one of the best-known Spiritualist mediums of the last half of the 19th century. Most of her work was done as a trance lecturer, though she also wrote some books whose composition was attributed to spirit guides rather than her own personality. Married four times, Cora adopted the last name of her husband at each marriage, and at various times carried the surnames Hatch, Daniels, Tappan, and Richmond.
Eusapia Palladino (alternative spelling: Paladino; 21 January 1854 – 16 May 1918) was an Italian Spiritualist physical medium. She claimed extraordinary powers such as the ability to levitate tables, communicate with the dead through her spirit guide John King, and to produce other supernatural phenomena.
Her Warsaw séances at the turn of 1893–94 inspired several colorful scenes in the historical novel Pharaoh, which Bolesław Prus began writing in 1894.
Sir Oliver Joseph Lodge, FRS (12 June 1851 – 22 August 1940) was a British physicist and writer involved in the development of, and holder of key patents for, radio. He identified electromagnetic radiation independent of Hertz‘s proof and at his 1894 Royal Institution lectures (“The Work of Hertz and Some of His Successors“), Lodge demonstrated an early radio wave detector he named the “coherer“. In 1898 he was awarded the “syntonic” (or tuning) patent by the United States Patent Office. Lodge was Principal of the University of Birmingham from 1900 to 1920.
Lodge was also noted for his Spiritualist beliefs and research into life after death, a topic on which he wrote many books, including the best-selling Raymond; or, Life and Death (1916), describing what he believed to be detailed messages through a medium from his deceased adult son who was killed in World War I.
Daniel Dunglas Home (pronounced Hume; 20 March 1833 – 21 June 1886) was a Scottish physical medium with the reported ability to levitate to a variety of heights, speak with the dead, and to produce rapping and knocks in houses at will. His biographer Peter Lamont opines that he was one of the most famous men of his era. Home conducted hundreds of séances, which were attended by many eminent Victorians.
Don Pedrito Jaramillo was a famous South Texas Mexican folk healer. Don Pedro moved to Texas and settled in the small village of Los Olmos, near modern day Falfurrias, Texas, around 1881. It was thought he was born in 1829, and he died on July 3, 1907.
Rosemary Isabel Brown (nee Dickeson, 27 July 1916 – 16 November 2001) was an English composer, pianist and spirit medium who claimed that dead composers dictated new musical works to her. She created a small media sensation in the 1970s by presenting works purportedly dictated to her by Claude Debussy, Edvard Grieg, Franz Liszt, Franz Schubert, Frédéric Chopin, Igor Stravinsky, Johann Sebastian Bach, Johannes Brahms, Ludwig van Beethoven, Robert Schumann and Sergei Rachmaninoff.
Brown claimed that each composer had his own way of dictating to her: Liszt controlled her hands for a few bars at a time, and then she wrote down the notes; Chopin told her the notes and pushed her hands on to the right keys; Schubert tried to sing his compositions; and Beethoven and Bach simply dictated the notes. She claimed the composers spoke to her in English.